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Tag Archives: Central Park

music in Central Park

chalk art

chalk art in Central Park

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exhuberant creativity

no words necessary

music in the park

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Sunday Concert in the Park

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The Concerts in the Park during the month of June are always excellent!  A great evening shared with Seguin friends while listening to marvelous music – what could be better??!!

This past Sunday, the Harleys performed to an appreciative group.  Contributions toward the Radio Bookworm Project were also appreciated.

A fun evening for a worthwhile project.  Seguinites are able to attend these concerts free of charge thanks to several Seguin businesses.  The Harleys donate their talents and time to enable projects such as Radio Bookworm to benefit all of us.

How fortunate we are!

going home - after a great evening

singing Star Spangled Banner in Central Park

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reading poetry in Central Park

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Danny Daniels reading "Casey at the Bat" in Central Park

Radio Bookworm held a Read-to-Me-A-Thon last Saturday, April 10 at Central Park.

Councilman Danny Daniels read a long-favorite poem:
Casey at the Bat.

It all started in 1885 when George Hearst decided to run for state senator in California. To self-promote his brand of politics, Hearst purchased the San Francisco Examiner. At the completion of the election, Hearst gave the newspaper to his son, William Randolph Hearst.

William, who had experience editing the Harvard Lampoon while at Harvard College, took to California three Lampoon staff members. One of those three was Ernest L. Thayer who signed his humorous Lampoon articles with the pen name Phin.

In the June 3, 1888 issue of  The Examiner, Phin appeared as the author of the poem we all know as Casey at the Bat. The poem received very little attention and a few weeks later it was partially republished in the New York Sun, though the author was now known as Anon.

A New Yorker named Archibald Gunter clipped out the poem and saved it as a reference item for a future novel. Weeks later Gunter found another interesting article describing an upcoming performance at the Wallack Theatre by comedian De Wolf Hopper – who was also his personal friend. The August 1888 show (exact date is unknown) had members from the New York and Chicago ball clubs in the audience and the clipping now had a clear and obvious use.

Gunter shared Casey at the Bat with Hopper and the performance was nothing short of legendary.

“Love has its sonnets galore. War has its epics in heroic verse. Tragedy its sombre story in measured lines. Baseball has Casey at the Bat.” – Albert Spalding


The Outlook wasn’t brilliant for the Mudville nine that day:
The score stood four to two, with but one inning more to play.
And then when Cooney died at first, and Barrows did the same,
A sickly silence fell upon the patrons of the game.

A straggling few got up to go in deep despair. The rest
Clung to that hope which springs eternal in the human breast;
They thought, if only Casey could get but a whack at that –
We’d put up even money, now, with Casey at the bat.

But Flynn preceded Casey, as did also Jimmy Blake,
And the former was a lulu and the latter was a cake;
So upon that stricken multitude grim melancholy sat,
For there seemed but little chance of Casey’s getting to the bat.

But Flynn let drive a single, to the wonderment of all,
And Blake, the much despis-ed, tore the cover off the ball;
And when the dust had lifted, and the men saw what had occurred,
There was Jimmy safe at second and Flynn a-hugging third.

Then from 5,000 throats and more there rose a lusty yell;
It rumbled through the valley, it rattled in the dell;
It knocked upon the mountain and recoiled upon the flat,
For Casey, mighty Casey, was advancing to the bat.

There was ease in Casey’s manner as he stepped into his place;
There was pride in Casey’s bearing and a smile on Casey’s face.
And when, responding to the cheers, he lightly doffed his hat,
No stranger in the crowd could doubt ’twas Casey at the bat.

Ten thousand eyes were on him as he rubbed his hands with dirt;
Five thousand tongues applauded when he wiped them on his shirt.
Then while the writhing pitcher ground the ball into his hip,
Defiance gleamed in Casey’s eye, a sneer curled Casey’s lip.

And now the leather-covered sphere came hurtling through the air,
And Casey stood a-watching it in haughty grandeur there.
Close by the sturdy batsman the ball unheeded sped-
“That ain’t my style,” said Casey. “Strike one,” the umpire said.

From the benches, black with people, there went up a muffled roar,
Like the beating of the storm-waves on a stern and distant shore.
“Kill him! Kill the umpire!” shouted someone on the stand;
And its likely they’d a-killed him had not Casey raised his hand.

With a smile of Christian charity great Casey’s visage shone;
He stilled the rising tumult; he bade the game go on;
He signaled to the pitcher, and once more the spheroid flew;
But Casey still ignored it, and the umpire said, “Strike two.”

“Fraud!” cried the maddened thousands, and echo answered fraud;
But one scornful look from Casey and the audience was awed.
They saw his face grow stern and cold, they saw his muscles strain,
And they knew that Casey wouldn’t let that ball go by again.

The sneer is gone from Casey’s lip, his teeth are clenched in hate;
He pounds with cruel violence his bat upon the plate.
And now the pitcher holds the ball, and now he lets it go,
And now the air is shattered by the force of Casey’s blow.

Oh, somewhere in this favored land the sun is shining bright;
The band is playing somewhere, and somewhere hearts are light,
And somewhere men are laughing, and somewhere children shout;
But there is no joy in Mudville – mighty Casey has struck out.

“Phin” [Ernest Lawrence Thayer – published in the Examiner, June 3, 1888)